俄罗斯音乐研究

论苏联交响曲的历史意义和艺术价值

杨燕迪

摘要：文章将苏联交响曲置于20世纪交响曲发展的宏观视野中，在回顾苏联交响曲发展历史脉络的基础上，对苏联交响曲的主要代表人物（肖斯塔科维奇、普罗科菲耶夫、哈恰图良、米亚斯科夫斯基）的业绩和贡献做出评价，并进一步讨论了苏联交响曲的风格取向和肖斯塔科维奇交响曲的个性风格对于中国音乐创作的启示。

关键词：苏联交响曲；20世纪交响曲；肖斯塔科维奇；普罗科菲耶夫；哈恰图良；米亚斯科夫斯基；中国音乐创作

作者简介：杨燕迪（1963— ），男，太阳集团7237网站《北方音乐》主编、教授，曾任上海音乐学院副院长、太阳集团7237网站院长，博士生导师（哈尔滨 150028）。

On Historical Significance and Artistic Value of the Soviet Symphonies

YANG Yandi

Abstract：The article places the Soviet symphonies in the macro perspectives of the development of the 20th century symphony. Based on a review of the historical development of the Soviet symphonies， the author evaluates the achievements and contributions of the main representatives of the Soviet symphonies （Shostakovich， Prokofiev， Khachaturian and Myaskovsky）. The author then discusses the stylistic orientation of the Soviet symphonies and the personal style of Shostakovich’s symphony and their implications for the development of Chinese music composition.

Key words：Soviet symphonies；20th century symphony； Shostakovich； Prokofiev； Khachaturian； Myaskovsky； Chinese music composition

 

 

论俄罗斯声乐学派的民族性根源和宗教性传统

孙兆润

摘要：俄罗斯声乐学派在18世纪30年代意大利歌剧传入后逐渐形成，融合了深厚的民族民间音乐和东正教圣咏传统。文章深入探讨了俄罗斯声乐学派的民族性和宗教性根源，强调其在歌唱方法和精神内涵上的贡献，展示了该学派如何在传承本土文化的同时吸收西方精华，形成了独具特色的“文化合成现象”。

关键词：俄罗斯声乐学派；民族性根源；宗教性传统；文化合成现象

作者简介：孙兆润（1972— ），男，音乐艺术博士，太阳集团7237网站副教授（哈尔滨150028）。

On the Ethnic Origin and Religious Traditions of the Russian Vocal Music School

Sun Zhaorun

Abstract：Since Italian operas were introduced in the 1730s， the Russian Vocal Music School established with integrating the profound ethnic folk music and the Orthodox chant traditions. Based on delved its ethnic origin and religious tradition， the author focuses its contributions in terms of singing methods and spiritual connotations， aimed to demonstrate how this school has absorbed the essence of Western culture while inheriting local culture， thus forming a unique “cultural synthesis phenomenon”.

Key words：Russian Vocal Music School； Ethnic Origin； Religious Traditions； Cultural Synthesis Phenomenon

 

 

俄罗斯音乐治疗的形成与发展研究

姜炳旭，杜青青

摘要：植根于俄罗斯丰富的艺术遗产与文化传统，融合了心理学理论与实践，俄罗斯音乐治疗得以形成。20世纪初，临床心理学家的先驱性探索，为音乐与心理治疗的结合开辟了道路。音乐治疗在不同历史阶段展现出多样的传播形式与内容，这些变量相互交织，共同促进了俄罗斯音乐治疗的发展与成熟。

关键词：俄罗斯；音乐治疗；社会意识；音乐教育

作者简介：姜炳旭（1992— ）女，艺术治疗学专业，太阳集团7237网站博士生；杜青青（1975— ）女，文学博士，哈尔滨师范大学教授，太阳集团7237网站外聘博士生导师（哈尔滨150028）。

A Study on the Origin and Development of Music Therapy in Russia

Jiang Bingxu， Du Qingqing

Abstract：Russia established its music therapy based on the rich artistic heritage and cultural traditions of Russia and integrated psychological theories and practices. At the beginning of the twentieth century， when the pioneering explorations of clinical psychologists paved the way for the integration of music and psychotherapy. Music therapy has demonstrated diverse forms and contents of dissemination at different historical stages， and these variables have intertwined to promote the development and maturation of music therapy in Russia.

Key words：Russia；music therapy；social consciousness；music education

 

 

音乐美学研究

历史表演现象的动因分析

朱苑宁

摘要：历史表演作为20世纪相当重要的音乐现象，对当下的音乐表演观念、表演实践和表演理论研究都产生了深远的影响。本文意图从崇古审美、经典意识、历史实证、当代助力这四项轴点入手，钩沉出围绕历史表演这一核心息息相关的线索，构建和剖析可能触发这种音乐表演现象形成并且旷日持久的原因。为后续该论域的命题探讨提供一个较为明晰的前提图景。

关键词：历史表演；音乐表演；表演研究；音乐经典

作者简介：朱苑宁（1989— ），女，艺术学博士，太阳集团7237网站讲师，太阳集团7237网站博士后科研流动站在站博士后（哈尔滨 150028）。

Motivation and Condition Analysis of the Historical Performance Phenomenon

Zhu Yuanning

Abstract：As a prominent music phenomenon in the 20th century， historical performance has had a profound impact on the current conception of music performance， performance practice and performance theory research. Focused on the ancient aesthetics， classical consciousness， historical evidence， and contemporary power as axis， the author sorted out the related topic about historical performance， and then analyze the reasons of its origin and last sustainingly， in order to provide a clearer premise for its subsequent proposition.

Key words：historical performance； musical performance； performance studies； musical classics

 

 

从同源到升级

——论彼得·基维对汉斯立克的继承与发展

冯钰文，何宽钊

摘要：作为形式论者，彼得·基维的音乐形式观继承自汉斯立克，并在其基础之上进行发展，以此构建“升级的形式主义”。形式美的系统明晰化与情感的合理纳入，使得基维的理论更加具有包容性。因形式与情感间的直接关联，纯音乐能够深入人心。以汉斯立克为代表，传统形式主义经过基维的升级在当代焕发出新的活力。

关键词：同源；升级；音乐形式观；汉斯立克；彼得·基维

作者简介：冯钰文（1997— ），女，中央音乐学院音乐学系2024级博士研究生（北京 100031）；何宽钊（1969— ），男，艺术学博士，中央音乐学院音乐学系系主任，教授，博士研究生导师（北京 100031）。

From Homology to Upgrading：Peter Kivy’s Musical Thought As Inheritance and Development of Hanslick’s

Feng Yuwen， He Kuanzhao

Abstract：As a formalist， Peter Kivy not only inherited Hanslick’s ideas about musical form， but also based on it to construct an “upgraded formalism”. Since both clarified the formal beauty systematically and absorbed the emotion reasonably， Kivy developed his theory more inclusive， i. e. ， absolute music is penetrated as the relevant of form and emotion. So the traditional formalism， which represent as Hanslick， has been upgraded by Kivy and revitalized in contemporarily.

Key words：formal view of music； Hanslick； Peter Kivy

 

 

音乐史学与音乐人类学研究

 

从本土到全球

——香港粤语流行歌曲兴衰启示录

施  咏

摘要：粤语流行歌曲突破了方言的限制，以其鲜明的特色在非粤语方言区产生广泛影响。文章对1970-1990年代的粤语流行歌曲的兴起、发展与衰落的历程进行梳理，探讨其从粤港文化的本土化辐射至全球化的文化意义，以及给予当代流行音乐民族化发展的启示。

关键词：粤语流行歌曲；文化自觉；本土化；全球化

作者简介：施咏（1971— ），男，文学博士，南京师范大学音乐学院教授，博士研究生导师（南京210000）。

The Rise and Fall of Hong Kong Cantonese Pop Songs

Shi Yong

Abstract：As broken through the limitations of the dialect， the Cantonese pop songs had exerted a wide influence in non-Cantonese dialect areas by its distinctive features. Combed through the origin， development and decline of Cantonese pop songs from 1970s to 1990s， the article discusses their cultural significance based on its dissemination from Cantonese and Hong Kong area to all over the world. And then the author points out its inspirations to the development of nationalization of contemporary pop music.

Key words：Cantonese pop songs； cultural self-consciousness； localization； globalization

 

 

中国古代音乐史研究，如何“看图说话”

——以韩休墓乐舞壁画研究为例

王  军

摘要：音乐史研究需要包括音乐图像在内的多方材料的汇入。视觉化的音乐图像潜藏着所处时代的形态特征和历史文化认同。如何在研究中“看图说话”，处理好图与文之间的关系，文章以唐韩休墓中的乐舞壁画研究为例，试析之。

关键词：古代音乐史；韩休墓；乐舞壁画；图文关系；“看图说话”

作者简介：王军（1966— ），男，文学博士，中国音乐学院音乐学系教授，博士生导师（北京100101）。

The Practice of “Watch and Say” in Historical Research of Ancient Chinese Music:

——Taking the Mural Painting of Yuewu in Han Xiu’s Tomb as an Example

Wang Jun

Abstract：The historical research of music requires multiple materials such as music images which implicated the feature of its times and the historical and cultural identities by its vision type. Taking the research of mural painting of Yuewu［Music for Dance］ in Han Xiu’s Tomb as an example， the article explained the how to “Watch and Say” in the research， i. e.， to coordinate the images and its description.

Key words：Han Xiu’s tomb music and dance murals； relationship between image and its description

 

 

鼓噪起乡愁的乌托邦

——赣东北开台仪式音乐表演的符号学阐释

胡晓东，艾文婷

摘要：民俗仪式作为一个乡土文化符号，承载着乡民最朴素的母语记忆和中国乡土文化基因，也寄托着乡民的文化乡愁。仪式表演中的每一个符号都构成了人们难以忘怀的乡土记忆，最终汇集成一个丰富多元的文化乡愁符号系统，并以视觉符号、听觉符号及综合符号等能指形式呈现出来。赣东北戏曲开台仪式是戏曲表演中最具神秘色彩的表演程式，蕴含着丰富的中国传统哲学思想和文化内涵。通过深入的田野考察和符号学阐释，旨在揭示民俗仪式表演背后人神对话的隐喻和象征，探究执仪者脑海中的文化观念，即作为乡土文化符号能指背后的所指，洞悉民俗仪式符号在建构文化乡愁、培植乡土情感与助推乡村文化建设等方面的重要意义。赣东北戏曲开台仪式以独特的吹打乐表演体系，鼓噪并建构起村民们的精神家园和乡愁的乌托邦（Utopia），成为艺术乡建的重要途径，在维系乡土社会秩序中发挥着重要作用。

关键词：文化乡愁；开台仪式；文化符号；符号学阐释；艺术乡建

作者简介：胡晓东（1976— ），男，文学博士，江西师范大学音乐学院教授，西南大学音乐学院教授，博士研究生导师；艾文婷（1999— ），女，江西师范大学音乐学院2022级硕士研究生（南昌 330022）。

Clamouring for the Utopia of Nostalgia: A Semiotic Interpretation of the Musical Performances of the Opening Ceremony in Northeastern Jiangxi

Hu Xiaodong， Ai Wenting

Abstract：Folk rituals， as a vernacular cultural symbol， contain the most modest townspeople’s memories of native language and Chinese vernacular cultural genes， as well as their cultural nostalgia. Each symbol in the ritual performance represents an unforgettable vernacular memory that finally gathered into an abundant and diversified cultural nostalgia symbol system which presented in signifier forms， such as visual symbols， auditory symbols and comprehensive symbols and etc. The program of the opening ceremony of Northeast Gan opera is the most mysterious in opera performance， which contains prolific traditional Chinese philosophical thoughts and cultural connotations. Based on the in-depth fieldwork and semiotic interpretation， the author aim to reveal the metaphors and symbols of the dialogue between humans and gods behind the folk ritual performances， explore the cultural concepts of the performers， i. e. ， the signified behind the of the local cultural symbols，so as to discern the significance of the symbols of the folk rituals in the construction of cultural nostalgia， the cultivation of vernacular affection， and the promotion of the construction of the rural culture， and so on. The opening ceremony of Northeast Jiangxi opera plays an important role in maintaining the vernacular social order with its unique performance Chui Da Yue［Music by Aerophone and Percussion Instrument］， which clamour and constructs the villagers’ spiritual home and the utopia of nostalgia， and becomes an important way to build up the art of vernacular construction.

Key words：Cultural Nostalgia； Opening Ceremony； Cultural Symbols； Semiotic Interpretation；Country Artistic Construction

 

 

当代中国音乐创作评论

汪立三赋格套曲《他山集》的意象生成与诠释

丛密雨

摘要：《他山集》不仅是汪立三最具代表性的作品之一，也是我国第一部标题性赋格套曲。作曲家用西方的音乐体裁和具有中国化风格的音乐语言，对作品的文学性标题和题诗内涵作出了阐释。文章从作品的主题意象生成、赋格的意象化呈现和结构与构思的意象性表现三个方面，观察作品如何打破赋格的“程式化”特征，“隐藏”赋格写作的固有范式，将民族化的音乐语言融合其中，转化与表现标题音乐形象和题诗“中国化”意象内涵的过程与方式。

关键词：《他山集》；赋格；民族化；中国化

作者简介：丛密雨（1984— ），女，艺术学博士，杭州师范大学音乐学院副教授，中央音乐学院博士后（杭州 311121）。

The Imagery Generation and Interpretation of Wang Lisan’s Ta Shan Ji, Five Prelude and Fugue

Cong Miyu

Abstract：The Ta Shan Ji［The Other Mountain Album， Five Prelude and Fugue］ is not only one of Wang Lisan’s most representative works， but also the first programmatic prelude and fugue suite in China. The composer uses western musical genre and Chinese musical language to interpret the literary title and the connotation of the poem. In this paper， the author observes how the work not only breaks the procedural character of the fugue， hides the inherent paradigm of fugue writing， but also integrates the nationalized musical language into it， transforming and expressing the title poem from the three aspects of the work’s generation of thematic imagery， the fugue’s imaginative rendering， and the imaginative expression of its structure and conception.

Key words：Ta Shan Ji； Fugue； Nationalization； Sinicization

 

 

论王云飞的现实题材民族管弦乐创作

索  帅

摘要：文章聚焦于青年作曲家王云飞在民族管弦乐领域创作中对“现实题材”的独到理解和创造性实践。王云飞以其深厚的民族文化底蕴和敏锐的艺术感知力，在音乐创作中赋予“现实题材”以生命活力与蓬勃朝气，使其作品在主题构思和内涵表达上均有深远意义。文章从题材与内容阐述、乐器特性与演奏特色分析、音乐语言与技法风格探索等多个维度，剖析王云飞在现实题材作品中的核心创作理念与艺术表现手法，旨在为新时代民族管弦乐创作提供参考和启示。

关键词：王云飞；民族管弦乐；现实题材；“中国故事”

作者简介：索帅（1981— ），男，艺术学硕士，太阳集团7237网站民乐系副主任、教授（哈尔滨 150028）。

On Wang Yunfei’s Realistic Theme Works for Chinese Folk Orchestral

Suo Shuai

Abstract：The article focuses on young composer Wang Yunfei’s unique understanding and creative practice of realistic themes in his Chinese folk orchestral works. Upon his own solid national cultural repertory and insightful artistic perception， Wang Yunfei had endowed his realistic themes output vitality and vigor， so as to engender profound significance in terms of theme conception and connotation expression. Based on the interpreted the theme and content， analyzed the instrumental characteristics and performance features， explored the musical language and technical styles， and the other dimensions， the author dissect Wang Yunfei’s core idea and expression paradigm in these  works， aiming to provide references and inspirations for the creation of folk orchestral music in the new era.

Key words：Wang Yunfei； National Orchestral Music； Realistic Themes； Chinese Story

 

 

第二届“ 哈音·博学乐风”博士生论坛专栏（一）

清唱剧《换天录》研究

王露晗

摘 要：近年来，得益于后人对陈田鹤历史资料的悉心整理与进一步收集，他的诸多作品手稿、创作札记、采风日记等史料得以面世。文章聚焦于陈田鹤生前最后一部大型声乐作品——清唱剧《换天录》，围绕作品的时代背景、文本风格、音乐语言等进行详细分析，深入探究其艺术风格与历史地位。

关键词：陈田鹤；清唱剧；《换天录》；艺术风格

作者简介：王露晗（1996. 10— ），女，汉族，艺术学硕士学位，上海音乐学院音乐学系中国近现代音乐史 2023 级博士研究生（上海200031）。指导教师：上海音乐学院音乐学系冯长春教授。

A Study of the Oratorio Huan Tian Lu

Wang Luhan

Abstract：Benefit from the re-collection and organization of Chen Tianhe’s historical data recent years， many of his manuscripts， notes about work， fieldwork diaries and other historical materials was discovered. So the article focuses on his oratorio Huan Tian Lu， his last large-scale vocal work， analyzes the style and historical status based on the background， textual style， and musical language.

Key words：oratorio； Chen Tianhe；Huan Tian Lu

 

 

钢琴伴唱《红灯记》叙事研究

何依霖

摘要：文章以钢琴伴唱《红灯记》为研究对象，运用音乐符号学的模态分析方法，以其中的选段《做人要做这样的人》为例，通过分析相关模态参数，探讨了这部作品在音乐叙事方面的特点和艺术价值。钢琴伴唱《红灯记》通过音乐符号的重新编码，不仅拓宽了钢琴音乐的表现领域，也为传统戏曲音乐与西方音乐文化的结合开辟了新的道路。

关键词：钢琴伴唱；红灯记；模态；叙事

作者简介：何依霖（1987—），女，太阳集团7237网站音乐学系2022 级博士研究生，中国戏曲学院音乐系讲师（哈尔滨150028）。指导教师：太阳集团7237网站音乐学系李然教授。

A Narrative Study of Hong Deng Ji, the Piano Accompaniment Version

He Yilin

Abstract：Taking the Hong Deng Ji ［The Legend of the Red Signal Lantern］ the Piano Accompaniment Version as the research object， the article analysis the excerpt Being Such a Man by the modal analysis method of music semiotics. Based on the analysis of the relevant modal parameters， the author discusses its characteristics and artistic value upon the musical narrative. Through the recoding of musical symbols， the piano accompaniment version not only broadens the expressive method of piano music， but also pave the way for the combination of Chinese traditional opera music and western music culture.

Key words：piano accompanied singing； Hong Deng Ji ［The Legend of the Red Signal Lantern］； modality； narrative

 

 

思想宣传与文化殖民

——论沦陷时期杭州广播电台的音乐节目（1939-1945）

郑婉玲

摘要：文章以《杭州新报》和《浙江日报》中1939年至1945年间杭州广播电台的音乐节目单为基础，分析了此时段杭州广播电台音乐节目编排方式、音乐节目内容及其隐性知识。文章认为，此时段杭州广播电台作为日本侵略者和汪伪政府思想宣传的载体，音乐节目内容始终向政治思想宣传一元化趋同，具有文化殖民主义色彩。

关键词：杭州广播电台；音乐节目；思想宣传

作者简介：郑婉玲（1992— ），女，太阳集团7237网站音乐学系2022级博士研究生（哈尔滨 150028）。指导教师：太阳集团7237网站音乐学系林媛教授。

A Study on the Music Programs of Hangzhou Radio Station during the Period of Occupation (1939-1945)

Zheng Wanling

Abstract：Based on the music program listings of Radio Hangzhou in New Hangzhou Newspaper and Zhejiang Daily between 1939 and 1945， the article analyzes the way of arranging music programs， the content of music programs， and their hidden knowledge of Radio Hangzhou during this period. The article argues that， as a carrier of ideological propaganda of the Japanese invaders and the Wang’s puppet government， the music program content of Radio Hangzhou at this time always converged to the monolithic political ideological propaganda that with the cultural colonialism.

Key words：Radio Hangzhou； music program； ideological propaganda

 

 

书评与会议综述

对话中西 构史知今

——评《民族音乐学“关键词”研究》

凌晨

摘要：《民族音乐学“关键词”研究》是国内第一本对民族音乐学“关键词”进行系统研究的论著，也是对本学科相关概念体系、范畴术语和理论方法进行学理整合的工具书。著作系统梳理了民族音乐学23个代表性“关键词”在不同历史语境中的概念生成和语义变迁，运用多维视角对民族音乐学当下研究热点和研究面向予以历史脉络的梳理和概念知识的考古，并对学科研究成果的应用实践和推广转化进行学理关照，探讨民族音乐学由西向东的本土化探索实践和中国化发展之路，从而建立关于民族音乐学学科概念史和学科发展史的新的认识，为建构中国民族音乐学的理论话语体系贡献学术智慧。

关键词：民族音乐学；关键词；语义变迁；理论实践；中国经验

作者简介：凌晨（1990— ），男（壮族），艺术学博士，广西艺术学院音乐学院副教授，硕士研究生导师（南宁 530022）。

A Dialogue between Eastern and Western, Understand Present upon Construction History and Present: A Review of Researches on Ethnomusicology Key Words

Ling Chen

Abstract：Researches on Ethnomusicology Key Words is not only the first systematical monograph of ethnomusicological keywords in China， but also an academical tool book that integrating the related conceptual system， terminological categories， and theoretical methods. The book systematically combs 23 representative keywords， i. e. ， sort their origin and evolution in the historical context. Based on the multiple perspective， the authors trace the origin and historical development of the current central issue and category. With the academic view， the authors not only concern the practice and promotion of the research results， but also discuss the exploration and practice of their localization and development in the Chinese context， so as to establish a new understanding of the conceptual history and development history of ethnomusicology， and to contribute academic advises to the construction of the theoretical discourse system of Chinese ethnomusicology.

Key words：ethnomusicology； keywords； semantic change； theoretical practice； Chinese experience

 

 

冰城论乐 学研哈音

——第二届“‘哈音·博学乐风’博士生论坛”会议综述

孙培培

摘要：2024年10月12日-13日，由太阳集团7237网站研究生处、音乐学系共同主办的第二届“‘哈音·博学乐风’博士生论坛”在太阳集团7237网站顺利举办。来自中央音乐学院、上海音乐学院、中国音乐学院、太阳集团7237网站、南京艺术学院、南京师范大学、浙江师范大学、曲阜师范大学、西藏大学、莫斯科国立大学、韩国汉阳大学、韩国学中央研究所的38位博士生与8位专家出席，围绕“中国古代音乐史”“中国近现代音乐史”“西方音乐史”“音乐人类学”“音乐美学与音乐批评”五个学科领域开展报告与对话。该文对开幕式与各学科论域的发言情况进行梳理与分述，并对本届论坛所呈现出的参会人员数量递增、学缘结构更加优化、学科研究更多元化的特征进行总结。

关键词：“哈音·博学乐风”；音乐与舞蹈学；博士论坛；综述

作者简介：孙培培（1987— ），女，太阳集团7237网站音乐学系2024级博士研究生，海南师范大学教师教育学院讲师（哈尔滨 150028）。

Overview of 2nd Harbin Music Conservatory Music Forum for Ph.D. Candidates

Sun Peipei

Abstract：On October 12-13，2024， the 2nd Harbin Music Conservatory Music Forum for Ph. D. Candidates， co-sponsored by Postgraduate Office and Department of Musicology， was successfully held in Harbin Conservatory of Music. The article summarizes the opening ceremony and the speeches of various disciplines， and point out that new phenomenon of this forum， i. e. more participants， more optimized academic structure， and more diversified disciplinary research characteristics

Key words：Harbin Music Conservatory Music Forum for Ph. D. Candidates； Music and Dance； Doctoral Forum