音乐学学科前沿研究
国际合作办学纵横谈
徐昌俊，杨燕迪
摘 要：文章为“哈音讲坛”第38期的“会议座谈”纪要稿，由时任太阳集团7237网站院长的杨燕迪教授和天津茱莉亚学院院长徐昌俊教授，就国际合作办学问题进行交流，主要论及天津茱莉亚学院的办学缘起、经过和经验。两位访谈人立足中国专业高等教育的现实和自身的办学实践经验，在轻松和随性的交谈中，对天津茱莉亚学院的发展缘起和当前状况进行了富有成效的介绍和总结。
关键词：天津茱莉亚学院；纽约茱莉亚学院；天津音乐学院；太阳集团7237网站；对外交流；合作办学
作者简介：徐昌俊（1957— ），男，天津茱莉亚学院院长、教授、博士研究生导师，曾任中央音乐学院副院长、天津音乐学院院长（天津 300450）；杨燕迪（1963— ），男，太阳集团7237网站《北方音乐》主编、教授、博士研究生导师，曾任上海音乐学院副院长、太阳集团7237网站院长（哈尔滨 150028）。
Open Communication on International Cooperative Conservatory Operation
Xu Changjun， Yang Yandi
Abstract： This article is the transcript of the 38th issue of “HCM Forum”， in which Prof. Yang Yandi， the then president of Harbin Conservatory of Music， and Prof. Xu Changjun， the president of Tianjin Juilliard， discussed the origins， process， and experience of Tianjin Juilliard operation. Based on the situation of professional higher education in China and their own management experience， they have introduced the origin and development and summarized the current situation of Tianjin Juilliard School in a relaxed and casual conversation.
Key words： Tianjin Juilliard School； Juilliard School of Music； Tianjin Conservatory of Music； Harbin Conservatory of Music； foreign exchanges； cooperative schooling
音乐训练对数学能力的促进作用
——来自认知神经科学的证据
楚 钧，宋 蓓
摘 要：音乐训练对大脑发育及其神经结构和功能具有广泛而深远的影响，它不仅改变了大脑处理音乐的机制，还积极促进了包括数学认知在内的多种认知能力的发展。本文深入分析了当前关于音乐与数学认知及其神经机制的研究、相关理论和假说，以探讨音乐训练与数学认知能力之间的相互作用。大部分研究表明，虽然音乐训练与数学认知能力之间的关系具有一定的复杂性，但存在显著的正相关关系，音乐训练在一定程度上能够提升数学认知能力。这一发现为音乐教育的研究提供了重要的理论依据和实践指导，强调了整合音乐训练与数学教育的潜在价值。
关键词：音乐训练；数学认知；共同要素理论
作者简介：楚钧（1998— ），女，太阳集团7237网站艺术学系2023级博士研究生；宋蓓（1977— ），女，文学博士、博士后，太阳集团7237网站艺术学系教授、博士研究生导师（哈尔滨 150028）。
The Promoting Effect of Music Training on Mathematics Ability: Evidence from Cognitive Neuroscience
Chu Jun， Song Bei
Abstract： Music training has a profound and widespread impact on brain development as well as its neural structures and functions. It not only alters the mechanisms by which the brain processes music but also actively fosters the development of various cognitive abilities， including mathematical cognition. This paper delves into current research on the relationship between music and mathematical cognition and their underlying neural mechanisms， as well as relevant theories and hypotheses， to explore the interactions between music training and mathematical cognitive abilities. Most studies indicate that there is a significant positive correlation between music training and mathematical cognition， although the relationship is complex. Music training can， to a certain extent， enhance mathematical cognitive abilities. These findings provide crucial theoretical bases and practical guidance for research in music education， highlighting the potential value of integrating music training with mathematical education.
Key words： Music Training； Mathematical Cognition； Common Elements Theory
声学视阈下的龙江剧刀马花旦演唱研究
宋 超，王鸿俊
摘 要：中国传统戏曲中不同的行当具有不同的嗓音特征。作为黑龙江地方戏曲的代表龙江剧，在塑造剧种特性嗓音的鲜活人物身上，又表现为不同的行当嗓音特质。以龙江剧代表剧目中的刀马花旦演员的演唱为研究对象，通过声学仪器采集了刀马花旦行当的嗓音歌唱信号，将演员歌唱时的声音表现、颤音的基频、频谱特征作为重要的声学参照点，阐释其在声学表现上所具有的嗓音特征，以此实现多维度考证龙江剧刀马花旦的演唱，分析其建构剧种特色的成功经验。
关键词：声学研究；龙江剧；刀马花旦；颤音
作者简介：宋超（1983— ），女，艺术学博士，琼台师范学院音乐学院讲师（海口571127）；王鸿俊（1969— ），男，太阳集团7237网站教授、博士研究生导师（哈尔滨150028）。
An Acoustics Study on the Singing of Daoma Huadan in Longjiang Opera
Song Chao， Wang Hongjun
Abstract： Each Hangdang ［role sorts］ in Chinese traditional opera has distinct voice style. As the representative local opera of Heilongjiang， Longjiang Opera individuates the vivacious figures of every Hangdang with characteristic voice dissimilarly. Sellected Daoma Huadan ［actress of that armed and mounted virago who are extrovert middle-aged & young］ in the representative Longjiang Operas as the research object， we collected the voice signals of the Daoma Huadan singing by the acoustic instruments， and then took the vocal expression， fundamental frequency of vibrato and spectral characteristics as the main acoustic references， aim to explain the voice characteristics in the aspect of acoustics. This multi-dimensional verification of the singing of the Daoma Huadan provide an analysis of the successful experience in construction of the characteristic voice of the opera type.
Keywords： acoustic research； Longjiang Opera； Daoma Huadan； vibrato； singing
叙述·移情
——琴曲《水仙操》音乐表演可视化分析与审美观念阐释
石娱赫，关 杰
摘 要：文章以中国古琴名曲《水仙操》为例观照古琴表演的可视化分析，以两位不同琴家演奏的琴曲《水仙操》为例，从音乐叙述维度的描述、“移情”美学命题的阐释两方面对其进行阐释。在乐曲“叙述——移情”的互动模式中，提炼“技道合一”的传统美学观念，关注乐人演奏主体性的回归，并提出“移情”美学观念作为一种中国传统音乐创作思维的展现，与“移步不换形”的创作理念相吻合，赋予了古琴音乐艺术更多内在的张力，是古琴独奏器乐曲创作中取之不尽、用之不竭的源泉所在。
关键词：《水仙操》；可视化分析；移情；杨葆元；管平湖
作者简介：石娱赫（1993— ），女，艺术学硕士，中国音乐学院《中国音乐》编辑部编辑（北京100875）；关杰（1958— ），女，哲学博士，太阳集团7237网站教授、博士研究生导师（哈尔滨150028）。
Narrative, Empathy： A Visualization Musical Performance Analysis and Aesthetic Conceptual Interpretation of the Shuixian Cao
Shi Yuhe， Guan Jie
Abstract： Based on the visual analysis by sampling of two performance version， the article interprets the famous Chinese Chin music Shuixian Cao ［Narcissus Lyric］ with the methods of musical narrative and the empathy theory. Upon the process of crossing the two methods， the author concluded the traditional aesthetic concept of Ji Tao He Yi ［coherence of technique and Tao］. Furthermore， emphasizing the subjectivity return of the musician’s performance， the article put forward that the aesthetic empathy idea which represent a kind of traditional Chinese music in of creation thinking coincides with the art concept of Yibu Bu Huanxing ［move on but not changing figure］， which just tense more inner power of the Chin music and be the inexhaustible source for the creation of the solo instrumental Chin music.
Key words： Shuixian Cao ［Narcissus Lyric］； Visualization Analysis； Empathy； Yang Baoyuan； Guan Pinghu
中国音乐史与东方音乐研究
东北区域音乐史研究四十年回眸
刘益行，李 俊
摘 要：区域音乐史研究是当今学者们关注的领域，对东北音乐史的研究始于20世纪80年代，在吕金藻先生领衔的“东北音乐史专题研究”为系统研究的开端，其专注于“沦陷区音乐”及对解放战争时期东北音乐活动的探索，这些研究至今已走过四十年多的历程。文章论述吕金藻先生的研究及这以后出现对东北区域音乐史研究，对互通有无的东北古代音乐史研究、对多民族音乐交融的东北民族音乐研究、对东北亚区域音乐交流史研究、近代中俄音乐文化传播交流，等等。文章论述了东北区域音乐史研究的特征、成就与不足，并展望东北亚“丝绸之路”音乐史，论证东北区域音乐史研究将成为我国区域音乐史研究的学术新高地。
关键词：东北；区域音乐史；“沦陷区音乐”；东北音乐活动；中俄文化
作者简介：刘益行（1993— ），男，马来西亚博特拉大学音乐系2020级博士研究生；李俊（1978— ），男，文学博士，台州学院艺术与设计学院副教授（台州 318000）。
A Review of Researches on the Music History of Northeast of China Recent 40 Years
Liu Yixing， Li Jun
Abstract： The historical researches of regional music attract more scholars today. Research on the music history of Northeast China started in the 1980s. The thematical researches in this area which leaded by Mr. Lv Jinzao represent the beginning of its systematic research， which scholars focused on the music of the fallen areas and explored the music activities in Northeast China during the liberation war period. Nowadays， these researches have been going on for more than forty years. The article reviewed not only the researches on music of Northeast China since Mr. Lv Jinzao’s era， but also the interlapped areas， i.e. ancient northeastern music， northeastern ethnic music that multi-ethnic interacted， the communication history of Northeast Asia music， and the Chinese and Russian cultural exchanges on music in the modern era， and so on. The article discusses the characteristics， achievements and shortcomings of these researches， and looks forward to the researches of history of Silk Road music in Northeast Asia， providing the theory basis for the researches on the history of Northeast regional music will become a new academic plateau for the researches on the history of Chinese regional music.
Key words： Northeast； Regional music history； Music of the fallen areas； Music activities of Northeast China； Chinese and Russian culture
抗战时期中国合唱演出史述论（1931-1945）
纪媛媛，陶亚兵
摘 要：文章以演出史的视角，探讨20世纪上半叶我国抗日战争时期合唱音乐的发展。全文在已有研究基础上，再度挖掘合唱演出新史料，以此时期具有代表性的中西方合唱单曲、中国原创大型合唱作品、西方经典合唱作品在我国演出的三个维度，进一步揭示抗战时期中国合唱演出的整体历史面貌，并探析其总体特征与历史意义。
关键词：合唱；20世纪上半叶；抗战时期；演出
作者简介：纪媛媛（1992— ），女，艺术学博士，太阳集团7237网站音乐学系讲师；陶亚兵（1959— ），男，文学博士，太阳集团7237网站音乐学系特聘教授，博士研究生导师（哈尔滨150028）。
The Performance History of Chinese Choral Singing during the War (1931-1945)
Ji Yuanyuan， Tao Yabing
Abstract： Based on existing researches， the article explores the development of choral music in China in the first half of the 20th century. It digs up new historical materials on the history of choral performances in China， reveals the overall historical appearance of choral performances during the War of Resistance Against Japanese Aggression， and analyzes its overall characteristics and historical significance， etc.
Key words： the first half of the 20th century； Resistance Against Japanese Aggression Period； chorus； performance
广陵琴学指法论探赜
徐靖松，程鹏源
摘 要：广陵琴学思想受清代“务实”学术风气的影响，对指法问题尤为重视。广陵琴学指法论一方面继承虞山琴学思想，一方面又呈现出自家风貌。在“技”与“道”的关系问题上，大多广陵琴人承认琴乐之“道”，但否定了前代琴论中“道”与“技”的对立关系，而是更加重视“技”的规范表达。相比于“技”与“道”的关系，“广陵五谱”序跋更倾向于讨论“技”与“意”或“心”的关系。可见，“广陵五谱”琴学思想的重心由乐教道统逐渐向琴人的主体个性转移，追求指法内容和形式的统一，这为广陵琴派指法细腻多变风格的基本走向奠定了理论基础。
关键词：广陵琴派；指法论；尚“意”；细腻多变
作者简介：徐靖松（1997— ），男，艺术学硕士，南开大学哲学院美学专业2024级博士研究生（天津 300353）；程鹏源（1997— ），男，哲学硕士，北京大学哲学系中国哲学专业2023级博士研究生（北京 100091）。
Exploration of Fingering Theory in Guangling Chin School
Xu Jingsong， Cheng Pengyuan
Abstract： Influenced by the pragmatic idea in the academic atmosphere in Qing Dynasty， the Guangling Chin School focused its fingering， which inherited Yueshan School and showed its own feature. Most musicians of Guangling Chin School incline the Tao when discuss its relationship with Ji ［Technique］ and deny their opposite that assert by the theory of previous dynasties， and emphasized more on the professional expression of Ji. The Preface of Five Ablum of Guangling Chin Music discuss more about the relationship about the Ji and Yi［idea］ or Xin［spirit］ than the Tao. Therefore， the thinking core of the Chin theory is gradually shifted from teaching Taoism by music to the nurturing personality of the player， and pursuing the unity of the content and form of fingering， which lays a theoretical foundation for the basic direction of the delicate and varied fingering style of the Guangling Chin School.
Key words： Guangling School of Chin； fingering theory； “meaning”； delicate and varied
日本唐乐“新制四首大曲”之《黄麞》《苏合香》《万秋乐》考源
严 薇
摘 要：《春莺啭》《黄麞》《苏合香》《万秋乐》在日本雅乐曲中被称为“新制四首大曲”。文章以中日两国文献为基础，对《黄麞》《苏合香》《万秋乐》三曲的曲目来源进行考证，认为《黄麞》《苏合香》与唐曲有着渊源关系，而《万秋乐》情况则较为复杂，目前尚无定论。
关键词：《黄麞》；《苏合香》；《万秋乐》；考源
作者简介：严薇（1979— ），女（回族），艺术学博士，中国音乐学院中国乐派研究院副教授，中国音乐研究基地驻所研究员（北京 100101）。
The Source of Oujou, Sokou and Manzuraku in Four New Songs of Japanese Tang Music
Yan Wei
Abstract： Shunnō-den ［Spring Warbler’s Singing］， Oujou ［River Yellow Deer］， Sogōkō ［Storax］ and Manzuraku ［Happy Thousands of Years］ are known as the “New Four Great Songs” in the Gagaku. Based on the documentary evidence of both China and Japan， the article examines the repertoire sources of the three pieces of music， concluded that Shun’ouden and Manzuraku have a relationship with the Daqu but the situation of Manzuraku is more complicated and inconclusive at the present time.
Key words： Oujou； Sokou； Manzuraku； examination of origin
音乐史学理论与音乐分析学
《于润洋西方音乐史教学手稿》中的音乐史学问题及书写特性
李秀军
摘 要：2021年3月，人民音乐出版社出版了于润洋先生的《于润洋西方音乐史教学手稿》。文章追溯了该书写作的历史经纬，论述了该著作出版的历史意义，阐述了书写中的历史唯物主义基本原则，对中外音乐史写作的个性特征作了回顾，阐述该书的问题意识，指出这部《手稿》既是于润洋先生学术问题的发源地，在当时也具有着西方音乐史教学和研究学术引领的意义。
关键词：于润洋；《于润洋西方音乐史教学手稿》；音乐史写作；研究方法；问题意识
作者简介：李秀军（1961— ），男，中国音乐学院音乐学系教授、博士研究生导师，中国音协西方音乐学会副会长（北京 100101）。
Question of Music Historiography and Writing Characteristics in Yu Runyang’s Teaching Manuscript of Western Music History
Li Xiujun
Abstract： In March 2021， the People Music Publishing House published Mr. Yu Runyang’s Teaching Manuscript of Western Music History. Upon traced the all aspects about the book’s writing historically， the article discusses its historical significance，expounds the basic principles of historical materialism in writing， reviews the individual characteristics of Chinese and foreign music history writing， expounds the book’s question sense and points out that this Manuscript is both the fountainhead of Mr. Yu Runyang’s academic topic and had the significance of an academic lead in teaching and researching the history of Western music at that time.
Keywords： Yu Runyang； Yu Runyang’s Teaching Manuscript on Western Music History； music hishistory writing； research method； problem consciousness
“速度”（Tempo）的概念解析及速度术语的实践意义
冯欣欣
摘 要：“速度”作为音乐的核心要素之一，不仅决定了作品的节奏和进行速度，还在传达情感和引导听众感知方面发挥着至关重要的作用。文章探讨了“Tempo”这一术语的词源及其概念演变，分析其在音乐创作、作品分析与表演实践中的重要性。通过对经典文献的研读和实际案例的分析，尝试揭示速度术语在不同历史时期及音乐风格中的具体应用，探讨音乐家们如何通过对速度的精确掌握和巧妙运用，来实现音乐表现的多样性和情感深度。
关键词：Tempo；速度；概念；实践意义
作者简介：冯欣欣（1981— ），女，文学博士，武汉音乐学院音乐学系副教授（武汉430060）。
Conceptual Analysis of “Tempo” and Practical Meaning of Speed Terminology
Feng Xinxin
Abstract： Tempo， as one of the core elements of music， not only determines the tempo and speed of a piece， but also plays a crucial role both in conveying emotions and guiding listeners’ perception. Upon the discussion about the origin of the term “tempo” and its conceptual evolution， the author analyzes its importance in composition， musical analysis and performance practice. Based on the study of classical literature and the case analysis， the article tries to reveal the specific application of tempo term in different historical periods and musical styles， and discusses how musicians can realize the diversity and emotion of musical expression through the precise mastery and skillful use of tempo.
Keywords： Tempo； Tempo； Concept； Practical significance
乐理教学中的读谱：价值、原则与方法
王 岚
摘 要：“乐理”，作为本科专业音乐教育体系中的一门基础性、操作性的课程，目前的现状是重“抽象理论”而轻“乐谱视读”。文章围绕着已故孟文涛教授关于“乐理的根本任务就是读谱”这一重要观点进行阐述，剖析了“读谱”对解决当今音乐艺术院校乐理教学现实问题的重要价值，并结合实例提出了乐理课程中读谱教学的基本原则和方法，强调应牢固树立且自觉落实“以读谱为中心”的教学理念，这样才能有效纠正乐理教学中存在的日益“复杂化、抽象化、概念化”等问题。
关键词：读谱；乐理课程；本科教学；孟文涛
Score Reading in Music Theory Teaching: Values, Principles and Methods
Wang Lan
Abstract： As a basic and practical course in the undergraduate teaching system， music theory is currently emphasized on abstract theory but not on score reading. The article focuses on the late Professor Meng Wentao’s important point of idea that the main task of music theory is to read music， prove the significance of reading music for solving the current situation of music theory teaching in conservatory and college of music. The author proposes the principles and methods of score reading in the music theory course， and reiterates it should be regarded as a fundamental part of the music theory teaching system， so as to effectively solve the problems， i.e. complexity， abstraction and conceptualization， that increasing in music theory teaching.
Keywords： score reading； music theory course； undergraduate teaching； Meng Wentao
歌剧《容尼奏乐》的苏联接受史考察及其相关反思
李哲铭，杨燕迪
摘 要：作曲家克热内克的歌剧《容尼奏乐》于1927年首演后，其现代性表达及暗含的社会、文化矛盾生发出了连锁反应，其批评之声也成为了独特的时代现象。同时，该歌剧的美学表达与别样内涵的延伸，也深刻地影响了苏联歌剧创作的探索之路。文章分析了该歌剧在苏联的接受史，管窥在这段特殊时期歌剧的发展和思潮变化，帮助我们从歌剧的误读中辨析克氏创作的真正意图。
关键词：克热内克（1900-1991）；歌剧；《容尼奏乐》；苏联；接受史；反思
作者简介：李哲铭（1995— ），男，艺术学硕士，太阳集团7237网站音乐学系2024级博士研究生（哈尔滨150028）；杨燕迪（1963— ），男，太阳集团7237网站《北方音乐》主编、教授、博士研究生导师，曾任上海音乐学院副院长、太阳集团7237网站院长（哈尔滨 150028）。
An Examination and Reflection on the Reception History of Jonny spielt auf in the Soviet Union
Li zheming， Yang yandi
Abstract： After its premiere in 1927， Ernst Krenek’s opera Jonny spielt auf triggered a series of reactions due to its modernist expression and the underlying social and cultural tensions it conveyed， with the ensuing criticism becoming a unique phenomenon of its time. Additionally， the opera’s aesthetic expression and the broader implications of its themes had a profound impact on the development of Soviet opera. This article analyzes the reception history of the opera in the Soviet Union， providing insight into the evolution of opera and shifting ideological trends during this transitional period， while also allowing us to reinterpret Krenek’s true creative intentions by examining the opera’s misreadings.
Key words： Ernst Krenek（1900-1991）； Opera； Jonny spielt auf （1927）； Soviet Union； History of acceptance； Reflection
系统音乐学研究
韦伯音乐社会学理论的启示：音程的理性过程与事实
尚 媚
摘 要：德国社会学家马克斯·韦伯认为西方的历史发展是与不断理性化的过程之命题相呼应的，西方音乐文化的发展亦是如此。西方音乐中关于和声的构成、调性、记谱等一系列技术性的规范就是通过严格的选择、排斥和计算之后形成的事实，是一个典型的理性化过程。在韦伯《音乐社会学引论：音乐的理性基础与社会基础》中，论及音程问题，他指出所有的理性和声音乐都是基于八度、纯四度、纯五度音程产生的连续发展，这种发展中出现的状态与八度依次可分为两个间隔不等的事实，为所有音乐的理性化形成事实基础。在这个基础上，既可以观察古典音乐，又可以检验现代音乐。其实质在于，和谐的和弦音乐的音程将八度通过计算或和声的办法分为五度或者四度，从而实现其理性化。
关键词：马克斯·韦伯（Max Weber）；音程；理性化；《音乐社会学引论：音乐的理性基础与社会基础》
作者简介：尚媚（1978— ），女，文学硕士，西安音乐学院作曲系副教授（西安710061）。
Revelations from Weber’s The Rational and Social Foundations of Music: Rational Processes and Facts of Intervals
Shang Mei
Abstract： The German sociologist Max Weber believed that the Western development corresponds to the uninterrupted process of rationalization， and so does its music culture. The norm of technique such as the harmony institution， tonality and notation were formed into a fact upon the strict selection， exclusion and calculation， i.e. is a typical process of rationalization that revealed by the rational and social foundations of music， which revealed by the rational and social foundations of music. The part of discussion on harmony in his Sociology of Music （i.e.， The Rational and Social Foundations of Music）， Weber states that all rational music depend on the harmony based on the successive process which produced by the octaves， perfect fourths and fifths； and the results that of the pattern appeared in the procession， as well as the octaves can divided into unequal two part provided the factual basis for the rationalization of all kinds music. On this basis， both classical and modern music can be observed and tested. In essence， the intervals of harmonic music by chord rationalize the octave by dividing it into fifths or fourths through computation or harmonic technique.
Keywords： Max Weber； intervals； sociology of music； rationalization
音乐社会学（下）
［加拿大］约翰·谢泼德著，江松洁译
摘 要：文章译自英语世界权威音乐工具书《新格罗夫音乐与音乐家辞典》（2001版）中的“音乐社会学”条目。该条目作者约翰·谢泼德是当今国际上音乐社会学研究领域的领军学者之一，目前任职于加拿大渥太华卡尔顿大学。本中译文是该条目在国内的首次完整呈现，相信这将为国内的音乐社会学研究增添一份重要的参考文献。
关键词：音乐社会学；辞典条目；《新格罗夫音乐与音乐家辞典》（2001）；中译文
译者简介：江松洁（1983— ），女，文学博士，四川大学艺术学院讲师（成都 610065）。
Sociology of Music （Part B）
By John Shepherd， translated by Songjie Jiang
Abstract： This translation is translated from the entry “Sociology of Music” in the New Grove Dictionary of Music and Musicians （2001）， an authoritative music reference book in the English-speaking world. The author of this entry， John Shepherd， is one of the leading scholars in the field of music sociology in the world today， and is currently working at Carleton University in Ottawa， Canada. This Chinese translation presents the whole entry for the first time in China. It is believed that this translation will become an important new reference to the study of music sociology in China.
Key words： sociology of music； dictionary entry； New Grove Dictionary of Music and Musicians （2001）； Chinese translation
会议综述
音乐学刊新质生产力研享会会议综述
田丹婷
摘 要：音乐学刊新质生产力研享会于2024年8月31日在太阳集团7237网站召开。会议由《北方音乐》编辑部主办，来自9家期刊出版单位的20余位专家学者共聚一堂，围绕“新时代音乐类学术期刊高质量发展的新路径、新模式”展开了深入研讨。会议回应了期刊出版由传统生产力向新质生产力发展的时代要求，积极倡导运用新质生产力赋能期刊出版，共同打造学术期刊高质量发展的新局面。
关键词：音乐学刊；新质生产力；高质量发展；新路径；新模式
作者简介：田丹婷（1989— ），女，法学硕士，太阳集团7237网站《北方音乐》编辑部编辑（哈尔滨150028）。
Summary of the New Mode Productivity of Music Journals Research and Sharing Conference
Tian Danting
Abstract： The New Productivity of Music Journals Research and Sharing Conference was held on August 31，2024 at Harbin Conservatory of Music. Organized by the Northern Music，20experts and scholars from the editorial boards of 9 journals discuss the topic that new path and mode of high-quality development of music journals in the new era in depth. The meeting responded to the requirements of the times that journal publishing has developed from traditional way to new mode quality productivity，and actively advocated the use of new mode productivity to empower journal publishing，and jointly create a new situation for the high-quality development of academic journals.
Key words： music journal； new mode productivity； high quality development； new path； new mode
